
shirt: button-down blue striped BD Baggies
loc: production centre
temp: 18 C
sound: Red Hot Chili Peppers, Blood Sugar Sex Magic
Joe Blades lives his version of a Canadian artist's life with at least one twist ...
 October 1-2
October 1-2
SIDE BY SIDE FESTIVAL CÔTE À CÔTE
3e édition, 2005 / 3rd edition, 2005
le jeudi 29 septembre 2005
Thursday, September 29, 2005
FREDERICTON
15h - 17h / 3-5 pm
Charlotte Street Arts Centre
Centre d’arts de la rue Charlotte
732, rue Charlotte Street, Fredericton
LECTURE D’AUTEUR.E.S PUBLIÉS PAR / BROKEN JAW PRESS AUTHORS’ READING
MC Joe Blades
Jo-Anne Elder
Robert Hawkes
Hugh Hazelton
Jonathan Kaplansky
Pauline Michel
Nela Rio
Tony Steele
Serge Patrice Thibodeau
 The chapbook committed is titled Is that you, Vincent?. It's a translation from the French of chapter one of Pauline Michel’s novel Les yeux d’eau. The translation of the full novel will be published in 2006 by Broken Jaw Press under the title Fragments of Memory. Both the author, who is Canada's current Poet Laureate, and the translator, Jonathan Kaplansky, will be here for the festival.
The chapbook committed is titled Is that you, Vincent?. It's a translation from the French of chapter one of Pauline Michel’s novel Les yeux d’eau. The translation of the full novel will be published in 2006 by Broken Jaw Press under the title Fragments of Memory. Both the author, who is Canada's current Poet Laureate, and the translator, Jonathan Kaplansky, will be here for the festival. le dimanche 2 octobre / Sunday, Oct. 2shirts: faded lavender T, brown workshirt (used to be Charlie, my late grandfather's shirt). fits tight on arms. don't even try to button the front closed.
13h - 15h / 1-3 pm
BRUNCH CHEZ ROSE DESPRÉS
62, rue Curry Street
Moncton (NB)
Lectures multilingues et cercle de partage
Multilingual readings and Sharing Circle
Joe Blades
Rose Després
Robert Dickson
Jo-Anne Elder
Hugh Hazelton
Dyane Léger
Pauline Michel
Nela Rrio
Hélène Rrioux
Serge Patrice Thibodeau
Lola Lemire Tostevin


 The interview's raw footage is shot. Shawn DeLong, Producer, says that if the edit happens fast enough it may even be on tomorrow's edition [20 sept 2005] of First Local. That this now twice "weekly news magazine . . . delivers an in-depth look at the events, issues, and people shaping the capital region." Show episodes get heavy rotation.
The interview's raw footage is shot. Shawn DeLong, Producer, says that if the edit happens fast enough it may even be on tomorrow's edition [20 sept 2005] of First Local. That this now twice "weekly news magazine . . . delivers an in-depth look at the events, issues, and people shaping the capital region." Show episodes get heavy rotation.  First Local—Fredericton
First Local—Fredericton

 Two camera-held-at-arms-length-over-my-head pics of Little Feat taken with my point 'n' shoot camera. Their first trip ever to this city: 16 Sept 2005. I'm liking the photos, especially the top picture.
Two camera-held-at-arms-length-over-my-head pics of Little Feat taken with my point 'n' shoot camera. Their first trip ever to this city: 16 Sept 2005. I'm liking the photos, especially the top picture. The most incredible demonstration at the  labour day weekend 2005 nb crafts festival was Lee orus Clark, performance potter. This is a photo of him adding clay to the top of the pot while slowing spinning it. He used four 20-kilo pugs of clay over two days of performance wheel-building, spinning, with his 100 per cent manual foot-kick wheel to make this giant amphora-like vessel.
The most incredible demonstration at the  labour day weekend 2005 nb crafts festival was Lee orus Clark, performance potter. This is a photo of him adding clay to the top of the pot while slowing spinning it. He used four 20-kilo pugs of clay over two days of performance wheel-building, spinning, with his 100 per cent manual foot-kick wheel to make this giant amphora-like vessel.
 End of Sunday the pot, on its plywood base, was loaded into the back of Lee's pickup truck and, with Joel Hooper in the box sitting & holding onto the pot for the slow, careful drive to Liz's. It was offloaded into her studio-in-progress with the dead freezer, potter's wheel, and (so far) one of two electric kilns [that I'll likely end up wiring]. Lee has yet to come back for it, for the drive up the Trans-Canada Hightway with it, and for the long outdoor wood-firing it will need.
End of Sunday the pot, on its plywood base, was loaded into the back of Lee's pickup truck and, with Joel Hooper in the box sitting & holding onto the pot for the slow, careful drive to Liz's. It was offloaded into her studio-in-progress with the dead freezer, potter's wheel, and (so far) one of two electric kilns [that I'll likely end up wiring]. Lee has yet to come back for it, for the drive up the Trans-Canada Hightway with it, and for the long outdoor wood-firing it will need.  I first saw David Wilcox live in Toronto, in the Nag's Head North. Same bar where I first saw The Minglewood Band and Danny Middlebrook & the Wasters. Matt Minglewood is playing tonight in the Mojo Tent in Off Square. Wilcox is here in the 1 York St Bud tent.
I first saw David Wilcox live in Toronto, in the Nag's Head North. Same bar where I first saw The Minglewood Band and Danny Middlebrook & the Wasters. Matt Minglewood is playing tonight in the Mojo Tent in Off Square. Wilcox is here in the 1 York St Bud tent. Life for me is a riverboat fantasy
Watchin' the sun go down
A rock and roll band
With a reefer in my hand
Now look at that wheel go around
Cocaine kisses and moonshine misses
That's the life for me
I'm sailing away from my heartache
On a riverboat fantasy
 Caine Haris at the easel painting his decon- recon- faces, heads, not cubist, not yet protraits but he's heading in that direction. Even has people he wants paint. Just needs more boards, more paintenough to make each use of materials for each painting exercise less preciousenough to give him room to play, to experiment and play, to make mistakes without stressing over it.
Caine Haris at the easel painting his decon- recon- faces, heads, not cubist, not yet protraits but he's heading in that direction. Even has people he wants paint. Just needs more boards, more paintenough to make each use of materials for each painting exercise less preciousenough to give him room to play, to experiment and play, to make mistakes without stressing over it.
 Some of Liz's works-in-progress, production, hung on the casemate wall: knit handbags and handbag parts, silk-end weavings . . .
Some of Liz's works-in-progress, production, hung on the casemate wall: knit handbags and handbag parts, silk-end weavings . . . Last Friday, time of the dissappeared happy hour, after the two solid weeks in the residency casemake, Caine and a pint of Picaroon's, all pints now $4.50 all of the time, on the deck of The Taproom. A good week's work done. "Sociable!"
Last Friday, time of the dissappeared happy hour, after the two solid weeks in the residency casemake, Caine and a pint of Picaroon's, all pints now $4.50 all of the time, on the deck of The Taproom. A good week's work done. "Sociable!"
 Heard and felt, loved. Something that i never ever imagined happening in any Eastern Canadian town-city where I've lived. So damn unlikely.
Heard and felt, loved. Something that i never ever imagined happening in any Eastern Canadian town-city where I've lived. So damn unlikely. 
 Corey Brown loses it in the cracks. Photo by Liz.
 Corey Brown loses it in the cracks. Photo by Liz. Joe's typewriter and lapdog side by each on the table: both wireless, differently. Photo by Joe.
 Joe's typewriter and lapdog side by each on the table: both wireless, differently. Photo by Joe. "If I had a hammer . . ." Joe's hardcore editing technique. Photo by Corey.
 "If I had a hammer . . ." Joe's hardcore editing technique. Photo by Corey. The blues tent. Photo by Corey.
 The blues tent. Photo by Corey.