30 November 2008
29 du 2008
on the outside
like a brush of paint
on canvas
wrangling snow lines
in small hollows
on very green grass
wilmot park
now military base land
berries and hipped bushes
leaves brown and blown
caution water
very hot
high voltage restrooms
danger
coffee tea
tea coffee
fan switch
pop and water
sodium 101
quiet program
in session
leave the cover on
do not adjust thermostat
theatre material
puppets
mercuy and venas
nuptune and urenas
alter-planets
passing through a hole
in a cone
a parking pylon
then a safety shot
black water daisy
on art table
hello my dolly shot
mad bowler hatter
in family resource
centre window
seniors stone stepping
towards the shore
many used glasses
a larger coffee pot
and used food plates
from five adults
29 November 2008
28 marraskuu 2008
biked to city limits
& turned left
product placement brewery
set dec
coasters
wall signs
($250 per to make)
table talkers
waitstaff apron
motion (sensor)
picture
television &
theatrical equip
support our troops
sign design okayed to use
—zero killed tonight
criminal record swag
work less
you didn’t say please
geo list
electors by street
route
banana or
chocolate chip cookie(s)
or both?
hand-knotted oriental
rugs & carpets
. . . beauty speaks
for itself
sold
to
address
delivery date
remarks
item
sold by
abso no peanuts
or peanut butter
on set tomorrow
support our tropes
27 November 2008
27 noyenbe’r 2008
head awake b4 body
in pre-dawn fog
ice drizzle
whatever
remember clothes and bedding
tumbled last night
in a heated steel drum
no calypso rhythms
in the basement
laundry room
(be)cause there are no lines
for drying outside
the walls
no drinking either
according to missive from the lord
claiming ownership
of this small plot
everyone knows
eating and drinking
occurs within
one’s own body
what’s not wanted
is obvious
public consumption
sure sign we’re not pure
hence the ongoing miracle
of stones with holes
bibi’s empty heads / the senate
wood-fired pottery
in northern alta
rings on fingers and toes
and chains that continue
to bind people
and other animals against
their freewill
before school buses open
doors for however willing
students to enter and sit
other fired-up moving stones
roam the streets
to tip and empty
dumpster holowed stones
curbside and behind builts
before the flying wise guys
pigeons and gulls
have a chance
to feed on our waste
sounds of not seen action
as if cloud-encircled mountain
—this small uphill
southward
retained more snow
at elevated ’tudes
and thicker fog up
above the river valley
never cleared
fog remained fog
with a cooling
prediction
of freezing drizzle
overnight
T: Guinness
loc: artdeptprep
temp: 1 C
sound: Watermelon Slim and the Workers No Paid Holidays
26 November 2008
26 noēmvri 2008
don’t have a significant
for the dinner
not a problem
for the poet
but some shites never come
together
who likes anonymous
snark hiding
not patron matron or
anyway supportive
just to make it home before
cold rain
not to confuse not posting
with not writing
sometimes too busy doing
and creating
to distribute for other’s
convenient reading
want some me time
not just work
for or with other people’s
artmaking
chanters cucumbers pod
holocausts
always someone ready
to sell
darkness in the heart
and mind
always someone wanting
needing to buy
final week neutered or mute
not censored
feel worn face stubble
and sawdust
sandbagged eyes dead
to the world
no pie interviews
spooky pieces
music to songs
new canned goods
lc every capital or upper
for others
APB 25 Nov 2008
Ashes, Paper & Beans last night featured Silver Wave Film Festival 2008's Documentary Filmmakers panel w/ Chris Campbell, Kevin Matthews, Brian Francis, Kent Martin & Rachel Bower.
+
"Part of a poem by Alden Nowlan called Ypres: 1915" (song) by NQ Arbuckle.
"Window Seat", "Habitat", and "My Mountain" by Aural Heather.
"Whisper" by Andrea Thompson.
"The Density of Fire" by Sharon Singer & Bob Mover.
+
"Part of a poem by Alden Nowlan called Ypres: 1915" (song) by NQ Arbuckle.
"Window Seat", "Habitat", and "My Mountain" by Aural Heather.
"Whisper" by Andrea Thompson.
"The Density of Fire" by Sharon Singer & Bob Mover.
25 nufimbir 2008
ice pellets rain or snow
—all expected to happen
today tonight tomorrow
thankfully not on the road
poet at a desk plotting
simultaneous art exhibition
tours around the province
friend coming to town
this afternoon hoping to met
up before radio program
silver wave doc filmmakers
and what else to play on air
before a run further uphill
to find and obtain goods
visit doesn’t happen
stuck in forest hill
or somewhere beyond
poet’s small paper day
filed an expense claim
hung some art too
asked for time off
25 November 2008
24 listopad 2008
day for night even though
night coming soon and a splash
of seen beyond the tarp outside
livingroom picture window
while filming up the stairs
from basement holding
p-o-v into the kitchen
change film magazines
powder foot for beauty
none on black nails
no socks in knee-high
black leather
wild sound: zipper
smoother down
than up . . . can be
reversed in post
everything ends up
in the beginning
camera is reading boot
three hits to kill then
she puts the boot back on
cool as a cucumber
boot is the money
swing through frame
sells it
no pause
no reaction to the hit
the blood . . .
where does she get splatter?
face . . . her cheek
24 November 2008
23 nov studeni 2008
all the plans of bored men
committee members and the deputy
—fug you asshole drunk on queen
flip taps (slit
when used as
a one-piece box)
first positions pleaselovely used/personal household goods
quiet for rehearsal
quiet on set
sleeping beauty has unwanted cowlicks
super action woman hair too poufed neat
next shot to be after the kitchen fight
doped orange juice containers on the counter
boot killed li’l striker on the floor
roll sound speedso tired eyes burn
camera frame
read slate action!
yawning jaw drops sideways
not used actor snores in makeup
big gusty winds roar and push
almost empty house door open
set dec grabbed for personal use
23 November 2008
22 wintermond 2008
bagged baby carrots and chicken pot pie craft
hero soy burger in origami parchment wrap
last night’s filming ended at dawn per usual
normally not up all night working and not outside
in sub-zero snow almost went to farmer’s market
after the challenge of getting a battery boost
enough to get home and crack open a dark strong
lager while emptying loaded pockets and eating
before a few hours of daytime sleep before . . .
insert shot of the great burger toss
everyone kept in basement holding
quieter than mice in the old walls
or grips in snow erecting lights
flags and bounce boards for later . . .
what use a dartboard without darts?
burger toss again and again with harvest
from the tofu burger bush with fries
for leaves awaiting ketchup rain or gravy
cofey in the jug and head pills for the ache
waiting for the miracle of action and cut
and tomorrow in the wee hours of this
or next predawn monday the closing
that’s a wrap! but hours of tonight still
to film after driving the picture car
21 November 2008
21 hadar 2008
the old typewriter has wound itself
too tight to permit the movement
necessary to writing with that device
resort to pen and journal
to one of the computers
to capture the flow of words
like clouds blowing over this town
the threat of a winter storm nearby
but light snow only for fredericton
first set in police station basement
smoking gun on the pistol range
bull's eye target pierced 15 times
20 noémvrios 2008
small blue dolphin card
found beside the road
nearest the obey store
—seal oil and orange
juice purchased—far
inland near tidehead
of a river it’s not known
that dolphins ever swam
creative child of a tempest
and a fishmonger—far from
tierra del sol the silk road
the santa fe trail—learning
about le dauphin of France
eldest son of the king the heir
apparent until the monarchy
beheading revolution
in another childhood flipper
a lively intelligent bottlenose
dolphin living with assisting
and protecting a park warden
widowed dad and his two sons
was played by a string of females
in drag who had girlfriends and
who even fathered an baby
19 November 2008
19 shiyiyue 2008
snowflakes out of light
grey cloud-filled sky
the coming winter’s first
swirl of white over us
chinos shorts inadequate
even for indoor wear
with wool socks and fleece
no gas heater or woodstove
in jelengora art studio
leafless tree branches hold
their breath as snowflakes
almost land on their bark
cedar trees in the garden
confident almost pompous
as this year’s young fir tips
not harvested by wreathmakers
eagerly await holding first snow
with their tightly wrapped leaves
18 November 2008
18 dawa tchngtchipa 2008
crane arrived at dawn
cool morning deer
grazed on frosted highway
grass still green on sun
ward slopes and crests
they ate in safety
that close to passing
vehicles on trans canada
highway with a scattering
of hunter’s parked trucks
far enough off the road
edge to lean into ditches
frost melted away
today by midafternoon
but ponds still have ice
ducks near the edge
crane left at sunset
cool morning deer
grazed on frosted highway
grass still green on sun
ward slopes and crests
they ate in safety
that close to passing
vehicles on trans canada
highway with a scattering
of hunter’s parked trucks
far enough off the road
edge to lean into ditches
frost melted away
today by midafternoon
but ponds still have ice
ducks near the edge
crane left at sunset
17 samhain 2008
metal typewriter floats on a blanket
newfoundland wool knit by grandma
its quieter this way to compose
than metal banging on wooden desk
take art for a walk downtown
the cathedral just sits on the green
its photograph moves but doesn’t see
that it’s bound for an office hanging
the disappointment artist says no
so so many more times than yes
but it’s impossible to yes everything
just a no shouldn’t mean rejection
walking or driving backwards does
not undo the wish i hadn’t done that
water and wind erase many footprints
but what of human’s destructive hands
16 November 2008
16 phagun 2008
the holes are not black just
absent of paper—no wonder
with the excessive rainfall
a nursing students’ pub crawl
and on every street a strew
of tilted letterboxes mail
drops and bags of autumn
tree leaves gathered plus
a bonus on regent street:
a toppled freezer of bagged ice
stomach sounding like a video
game machine not played hero
encountering obstacles and foes
in the power-control labyrinth
grand mother throwing up in the night
but the cancer’s got her bones
without cure as morphine dulls
grandson riding the silver waver
all night walked home laughing
for a few hours of morning sleep
animals grow hairier every day
whether cleaned-up or never quite
consumption a hunger cancer
as sleep results in not
T: Silver Waver 2007
loc: rain show(ers)
temp:
15 C
sound: Kansas "Dust in the Wind"
15 November 2008
15 sip-il-wol 2008
on the trail to the teepee
rain falling out of the fog
flowing river rain-swollen
somewhere nearby unseen
nonthreatening calm waters
as he leaned and turned toward
the cliff with its talking stick
broadcasting into the vast air
but no one was in the teepee
recently likely yesterday
by the signs but not today
so he left his friendly mark
beside the entrance then turned
to select mushrooms and
bison from the convenient cache
then took the downriver trail
story images swirling inside
he composed while travelling
as all of us travel our lives
in the ever of now . . . now!
t: Heroic Oatmeal Stout
loc: pre NB Shorts I & II
temp: 14 C
Sound: The Rocky Horror Picture Show "Time Warp"
14 nobyémbre 2008
the bone folder has taken spines
bones and the veins out of leaves
has taken the heartwood from trunks
the souls of blood-making cells
to leave them sickly empty
as a crescent moon that cannot
hold water so it falls to earth
stains on the sidewalk and streets
the rust of deveined maple leaves
nose-bleed blood whether from fighting
too much pressure or whatever
spray-paint ed hearts red and blue
and the yellow numbers marking
depth of the gasline underfoot
tree branches even skyscraper
steel cement and glass have more
give more built in flexibility
than our animal bones at any age
some snap easy as icicles
some bruise but never break
some rot within fill with poison
the bone folder wants them all
for a few seconds on inattention
or the strains of overexertion
just a simple roll over in sleep
might be enough for the bone folder
to claim you as his own—till then
we can do nothing less than live
T: NBFC: 15 years of filmmaking, 1979-1994
loc: saturmoring desk
temp: 12 C
sound: John Prine Souvenirs
14 November 2008
10–13 nov 2008 poems
13 novembar 2008
suitcase ka-thunking over sidewalk
cracks they walked him to the bus
station with gutted restauran—a flag
of the former socialist federal republic
abandoned overtop an empty beer fridge
—much as he wished for that souvenir
the days of asking were well and gone
he was following rivers and trees
in texts long before he learned
what they were—running eye
or fingertip in the white spaces
between words to find images
hidden treasure or to escape bullies
like a line of defensive football players
even if shrubs in the park across
from city hall still spelt out tito
tonight he would cross the border
for the last known time . . .
heading for budapest and flights
west though frankfurt et montéal
to a known safer life in fredericton
12 blod-monath 2008
miércole dans le plateau de montréal
he can’t find the cutlery—not in drawer
or jars—found the large cutting knives
for animal flesh—le pain 7 grains
beurre d’arachide and jars of preserves
late last night’s walk past ’réal bagel
shops on saint-vaiteur took him back
decades to two sherri goldberg poets
—one published and reading at the word
the other writing attending and wanting
blod-monath not certifie biologique
not bio-terre but back then we didn’t
have industrial animal husbandry
no chicken hell-coops like today
no conveyor belt lettuce factories
ths poet dressed in black not
a hunter of beasts for table or bed
under an almost full moon he looks
around him at friendship hope love
in the interactions of almost everyone
11 nojábr’ 2008
from the corner of the basement
he looked up at the grey light opening
saw iron stair treads heading up
to nowhere to the nothing above
saw some bush of tree leaves
branches with lumps that might
just might be small apples
he’d missed seeing them last night
had been enough in the darkness
to chance upon shelter not in mud
all seemed quiet no crossfire
no aeroplanes no rumble
of tanks or trucks no shouts
of soldiers on patrol no
10 azaroa 2008
applewood print origami brown deer
a stained glass great blue heron
came home with him in the dark rain
he must continue must finish packing
for the road (again) hochalaga bound
it’s good to be he sings in his head
the poems the poems are calling
o poet boy what will ye do?
méxico might be good for winter
italy or a greek island too
this town is difficult in snow
so unlike destructive carpenter ants
the construction pigeons waddle
about the deck and scaffolding
raised and piled outside the church
they perch equally atop the highest
edge of a chipboard sheet leaning
towards the old limestone wall
fog in the lowlands below ridges
of leaf-bare hardwoods and turbines
he passes a transport of p.e.i. hogs
quebéc abbitore bound like him
travelling to and in lower canada
a hunting hawk hovers close over
grass between twinned highway
suitcase ka-thunking over sidewalk
cracks they walked him to the bus
station with gutted restauran—a flag
of the former socialist federal republic
abandoned overtop an empty beer fridge
—much as he wished for that souvenir
the days of asking were well and gone
he was following rivers and trees
in texts long before he learned
what they were—running eye
or fingertip in the white spaces
between words to find images
hidden treasure or to escape bullies
like a line of defensive football players
even if shrubs in the park across
from city hall still spelt out tito
tonight he would cross the border
for the last known time . . .
heading for budapest and flights
west though frankfurt et montéal
to a known safer life in fredericton
12 blod-monath 2008
miércole dans le plateau de montréal
he can’t find the cutlery—not in drawer
or jars—found the large cutting knives
for animal flesh—le pain 7 grains
beurre d’arachide and jars of preserves
late last night’s walk past ’réal bagel
shops on saint-vaiteur took him back
decades to two sherri goldberg poets
—one published and reading at the word
the other writing attending and wanting
blod-monath not certifie biologique
not bio-terre but back then we didn’t
have industrial animal husbandry
no chicken hell-coops like today
no conveyor belt lettuce factories
ths poet dressed in black not
a hunter of beasts for table or bed
under an almost full moon he looks
around him at friendship hope love
in the interactions of almost everyone
11 nojábr’ 2008
from the corner of the basement
he looked up at the grey light opening
saw iron stair treads heading up
to nowhere to the nothing above
saw some bush of tree leaves
branches with lumps that might
just might be small apples
he’d missed seeing them last night
had been enough in the darkness
to chance upon shelter not in mud
all seemed quiet no crossfire
no aeroplanes no rumble
of tanks or trucks no shouts
of soldiers on patrol no
10 azaroa 2008
applewood print origami brown deer
a stained glass great blue heron
came home with him in the dark rain
he must continue must finish packing
for the road (again) hochalaga bound
it’s good to be he sings in his head
the poems the poems are calling
o poet boy what will ye do?
méxico might be good for winter
italy or a greek island too
this town is difficult in snow
so unlike destructive carpenter ants
the construction pigeons waddle
about the deck and scaffolding
raised and piled outside the church
they perch equally atop the highest
edge of a chipboard sheet leaning
towards the old limestone wall
fog in the lowlands below ridges
of leaf-bare hardwoods and turbines
he passes a transport of p.e.i. hogs
quebéc abbitore bound like him
travelling to and in lower canada
a hunting hawk hovers close over
grass between twinned highway
09 November 2008
9 nëntor 2008
9 nëntor 2008
sharper the blade the cleaner the cut
—great in the kitchen for slicing
dicing and peeling—but in war
its dirty blades that sing victory
with their nicks burrs and rust
in torn flesh of the opposition
—wounds to fester and never heal
despite negotiations and treaties
signed in allegedly neutral places
watched by church state and business
running through fields will crush
flowers and plants no worse than wind
or torrential rain and hail we can’t
simply do nothing and stay alive—
for us to live means other animals
and plants live and die on within
and outside compassioned bodies
a bois d’acadie a rose heart
a broken eye a candle burning
where no candle should ever be lit
catching people’s clothes and hair
a large green glass vase centrepiece
filled with crabapple branches bearing
fruit small sunflowers roses in bloom
and green apples not haws stuck on thorns
but those branches are still hawthorn
black clouds loosen cold rain again and
again against open windows—into the studio
of the poet writing cold November poems—
soaking poem pages written in his absence
sharper the blade the cleaner the cut
—great in the kitchen for slicing
dicing and peeling—but in war
its dirty blades that sing victory
with their nicks burrs and rust
in torn flesh of the opposition
—wounds to fester and never heal
despite negotiations and treaties
signed in allegedly neutral places
watched by church state and business
running through fields will crush
flowers and plants no worse than wind
or torrential rain and hail we can’t
simply do nothing and stay alive—
for us to live means other animals
and plants live and die on within
and outside compassioned bodies
a bois d’acadie a rose heart
a broken eye a candle burning
where no candle should ever be lit
catching people’s clothes and hair
a large green glass vase centrepiece
filled with crabapple branches bearing
fruit small sunflowers roses in bloom
and green apples not haws stuck on thorns
but those branches are still hawthorn
black clouds loosen cold rain again and
again against open windows—into the studio
of the poet writing cold November poems—
soaking poem pages written in his absence
Double Book Launch + Noches de poesia reading in Montréal
Lanzamiento doble / Double Book Launch
Broken Jaw Press y / and las Ediciones de la Enana Blanca
los invitan a celebrar la publicación de / invite you to celebrate the publication of
Aquella luz, la que estremece / The Light That Makes Us Tremble
poemas de / poems by Nela Rio
traducido por / translated by Hugh Hazelton
(Broken Jaw Press y Ediciones de la Enana Blanca)
y / and
from the book that doesn’t close
poems by Joe Blades
(Broken Jaw Press)
Martes 11 de noviembre de 2008 / Tuesday, 11 November 11 2008
7:00 pm
Café Volver
5604, avenue du Parc
Montreal QC
tel: 514.272.4419
+ / &
12 Novembre 2008, Mercredi / Wednesday
Noches de poesia
1730: lectures débutant à 18h00 jusqu’à 20h00
Le Dépanneur Café
206, rue Bernard Ouest
Montréal QC H2T 2K4
T 514.271.9357
info@ledepanneurcafe.com
Programme : il semble que le Nouveau-Brunswick visite Montréal ce soir!!!
• Herménégilde Chiasson (français) et sa traductrice littéraire
• Jo-Anne Elder (anglais +)
• Nela Rio (espagnol)
• Joe Blades (anglais)
• Sandra Le Couteur (français) musique et poésie.
08 November 2008
8 noemberi 2008
you’ve woken suddenly out of deep
sleep and if you go with him
he can show you why he smells that way
but maybe you don’t want to go
perhaps you don’t ever want to grow
a basketball-shaped hump out front
or to bring life into this world
—photographs and stilled life art
enough—what with all the questions
responsibility and expectations implicit
after stopping a man from driving wrong
way up a one way off-ramp you crossed
the street entered the loading bay
and tried climbing deceptively broken stairs
so led down some end abruptly
at a wall or turn into stacked boxes
and hollow wall-less crates
you trip-stumble fell onto a door
and into a room filled with fabric
bolts and women at sewing machines
as another waring roller skates
fell against you her armful of bolts
spilling around you as you fell and she
landed on top “what are you going to do now?”
07 November 2008
7 Nopember 2008
two face-jewelled young women
one a mother pushing child in stroller
away from downdown nerdman behind
music-plugged ears après workday
oh november showers have arrived
me still dressed all in black back
(again) from stupidstore with red wine
biking like a not-mormon outreacher
or naughty nurse halloween spirit
receiving deceit receipts
phat rain like in the tropics . . .
should be crouched under jungle
leave large as umbrellas or
naked not caring worrying about
getting wet or chilled cold
where rain like sun simply is
but i’ll not be out there in this
november rain until necessity
pushes this crap into the ground
feeding my poor pitiful poetry
perhaps he is a loser rehearsalist
a cut’n’paste kid passé passant
“campy trash” and rocky horror lips
plastered on the journal’s cover
a dozen ugly chapbooks bound & folded
help numerous envelopes get stuffed
tup and roasting pan filled with
dirty dished come out of dark hiding
to (finally) get washed by a truly naked man
in his kitchen on friday afternoon
t:
loc: pregalopenings
temp: 10 C
sound; Elvis Costello "When I was Cruel"
06 November 2008
6 Novembro 2008
blessed fog in the head in the
river valley this morning shrouds
everything from church steeples
to dump trucks school buses and me
hauling a coffee table boxes
of new books and sheet styrofoam
to storage @ 334 queen basement
if the meeting happens here i will
clear my bookbinding table (again)
and resume physical work afterwards
snap dulled blades for the next new
to slice trim cut through the blocks
of paper now books bound for a launch
with a glass of wine tuesday in montréal
this morning black coffee and an apple
soon the literacy fair and luncheon
at old government house with me cleaned
up in suit coat and black dress shirt
pesto chicken salad sandwiches and pink
lemonade 20th anniversary cake too—
fog between trees and over river lifts
05 November 2008
5 Novemba 2008
art bank weekend and hump day one
rolled together in cotton bedsheets
when flannel should be the order
of the day with electric heat still
off in the compartment and studio
—day grey under cloud cover
more bare branches than leafed
excepting the evergreen trees
17 degrees celsius and a snow
bot with blade on the front
just rolled up south on york street
the poet wearing shorts and a t
about to go cycling on no’side and
to the stuporstore for supplies
lamb roast in the oven with fresh
rosemary and rock salt—a small tribute
to whole lambs on rotisserie skewers
in those travelled balkan mountains
am i or was i naïve? fuck! i’d love
some gorky list roast goat or jelen pivo
but i’ve been back two years in fredchicken
—no risk here of becoming another zet
t: Smooth Rock Falls ● Canada
loc: aftrdrkdsk
temp: 14 C
sound: David Bowie "Under Pressure"
rolled together in cotton bedsheets
when flannel should be the order
of the day with electric heat still
off in the compartment and studio
—day grey under cloud cover
more bare branches than leafed
excepting the evergreen trees
17 degrees celsius and a snow
bot with blade on the front
just rolled up south on york street
the poet wearing shorts and a t
about to go cycling on no’side and
to the stuporstore for supplies
lamb roast in the oven with fresh
rosemary and rock salt—a small tribute
to whole lambs on rotisserie skewers
in those travelled balkan mountains
am i or was i naïve? fuck! i’d love
some gorky list roast goat or jelen pivo
but i’ve been back two years in fredchicken
—no risk here of becoming another zet
t: Smooth Rock Falls ● Canada
loc: aftrdrkdsk
temp: 14 C
sound: David Bowie "Under Pressure"
04 November 2008
APB show, 4 nov 2008
From a 19 March 2007 reading: Ken Babstock poems & Jan Conn reading mostly from Jaguar Rain (Brick Books).
"Ode" by Andrea Thompson.
"Three Blocks West of Wonderland" by Aural Heather.
"Into the Deep" by Sharon Singer & Bob Mover.
shirt: burgundy dress shirt
loc: postradio
temp: 8 C
sound: The Highwaymen Super Hits
"Ode" by Andrea Thompson.
"Three Blocks West of Wonderland" by Aural Heather.
"Into the Deep" by Sharon Singer & Bob Mover.
shirt: burgundy dress shirt
loc: postradio
temp: 8 C
sound: The Highwaymen Super Hits
4 juuichigatsu 2008
the gopher in the bathroom floor
stuck its tongue out at me and
it didn’t understand my peeing
into a basin of water cold—
deep underground river brought
up here for this purpose? stupid
night bus to montréal passeth
seven nights from now might i
be on the same bus and route
home-printed and hand-bound
copies of from the book that
doesn’t close because the real
is suspended–waiting on ottawa
or more precisely hull to deliver
and not the snow si’l vous plaît
air damp enough to cut through
flesh to our aching old bones
—only a week until the war
ends (again) and the red poppies
with green then black centres
are returned to the ground
at the foot of so many memorials
from ocean to ocean to ocean
stuck its tongue out at me and
it didn’t understand my peeing
into a basin of water cold—
deep underground river brought
up here for this purpose? stupid
night bus to montréal passeth
seven nights from now might i
be on the same bus and route
home-printed and hand-bound
copies of from the book that
doesn’t close because the real
is suspended–waiting on ottawa
or more precisely hull to deliver
and not the snow si’l vous plaît
air damp enough to cut through
flesh to our aching old bones
—only a week until the war
ends (again) and the red poppies
with green then black centres
are returned to the ground
at the foot of so many memorials
from ocean to ocean to ocean
03 November 2008
3 noviembre 2008
darkness begins a Monday
out of it fell the frost
on plants and objects real
or human-made why curse
the white sheet on your wind
shield because your ancestors
moved about and chose or not
to settle in this wondrous
place both très chaud et très
froid—here comes winter
the cave of our local history
twice visited for work today
still didn’t look or feel
like home where i should be
winds off the bay of fundy
shook the truck for many hours
as we dismantled recent acquisitions
and hauled them away to storage
limbo before i—dressed in black—
refuled the truck with irving
processed prehuman sea creatures
and my right hand exudes diesel
sun ring (earlier) twice as wide
as divided highway danish beer
and deep sea scallops await me
T: black
loc: postroad
temp: 4 C
sound: Mark Lalibertier "No Good Way to Say It, But I Try"
out of it fell the frost
on plants and objects real
or human-made why curse
the white sheet on your wind
shield because your ancestors
moved about and chose or not
to settle in this wondrous
place both très chaud et très
froid—here comes winter
the cave of our local history
twice visited for work today
still didn’t look or feel
like home where i should be
winds off the bay of fundy
shook the truck for many hours
as we dismantled recent acquisitions
and hauled them away to storage
limbo before i—dressed in black—
refuled the truck with irving
processed prehuman sea creatures
and my right hand exudes diesel
sun ring (earlier) twice as wide
as divided highway danish beer
and deep sea scallops await me
T: black
loc: postroad
temp: 4 C
sound: Mark Lalibertier "No Good Way to Say It, But I Try"
02 November 2008
2 novembre 2008
i fell with the clocks backwards
into another time nonexistent or
twice created by us humans and
our constructs—truth like time
and i missed day of the dead honour
for kith and kin—graveyards here
not filled with families gathered
communing and conversing with the gone
and i'm not there cycling past unseen
but it seems that i have been
communicating with archangel messengers
here on earth in the arts
—an ace of clubs/wands on the sidewalk
canadian tire money in the old burying ground
with autumn leaves between crumbling stones
a medley of dead soldier bottles and cans
mouths open lie in still green grass
their audience gone the way of revellers
who lean on trees to drunkenly piss
on the trunk and their costume shoes
then stagger into the street to spectre
taxis into stopping for the pile in
of bodies on top of other bodies
—another wild night mass burial
to hurt but so not remember tomorrow
t: Steamworks Heroica Oatmeal Stout
loc: the write desk
temp: -1 C
sound: Gang of Four Return the Gift
into another time nonexistent or
twice created by us humans and
our constructs—truth like time
and i missed day of the dead honour
for kith and kin—graveyards here
not filled with families gathered
communing and conversing with the gone
and i'm not there cycling past unseen
but it seems that i have been
communicating with archangel messengers
here on earth in the arts
—an ace of clubs/wands on the sidewalk
canadian tire money in the old burying ground
with autumn leaves between crumbling stones
a medley of dead soldier bottles and cans
mouths open lie in still green grass
their audience gone the way of revellers
who lean on trees to drunkenly piss
on the trunk and their costume shoes
then stagger into the street to spectre
taxis into stopping for the pile in
of bodies on top of other bodies
—another wild night mass burial
to hurt but so not remember tomorrow
t: Steamworks Heroica Oatmeal Stout
loc: the write desk
temp: -1 C
sound: Gang of Four Return the Gift
01 November 2008
a month of daily poems
I don’t really need a challenge so much as routine to put time into writing poems routinely when this so, so much other bust in my life between the Art Bank, publishing, freelance work, writing and art, and filmmaking projects . . . But I received a F’book message from Robert Lee Brewer about a PAD (poem-a-day) Challenge: “to try writing a poem a day in November with the view of trying to have the makings of a chapbook heading into December” while the NaNoWriMo writers are aiming for 50,000 word novel manuscripts by month’s end. His Poetic Asides blog covers poetry from the perspective of a published poet and long-time editor of writing market guides: Robert Lee Brewer. Check it out at Poetic Asides.
This could be a more reasonable challenge where I'll on the road a fair bit this month and my novel writing currently is much slower than a 50K-word month but I have written several book length poetry manuscripts in two-week, part-time, public, artist residencies and lesser amounts of poems in shorter periods of time (such as for the 24 Hour Zine Thing).
01 november 2008
perhaps november is the second or
other cruelest month—after the year’s
harvest from fields and orchards
the hunters take aim at ducks and deer
as soon as there’s a hint of morning
light and a distinction of wings
from the rest of the universe above
or beyond or surrounding and within
the standing up poet wears orange
at the typewriter he carries a journal
pens and a camera or two when out
in the woods and alongside rivers
lakes ponds and swamps to see and
feel and smell everything to not kill
anything except edible berries picked
and eaten right there like a bear would
real thanksgiving on the spot
for the food and for every sunny day
—especially warm ones—air crisp
as biting through an apple’s skin
anytime now night ice will stay
frozen all day and the rain will turn
colder until the showers are snow
covering gardens roads homes and trees
This could be a more reasonable challenge where I'll on the road a fair bit this month and my novel writing currently is much slower than a 50K-word month but I have written several book length poetry manuscripts in two-week, part-time, public, artist residencies and lesser amounts of poems in shorter periods of time (such as for the 24 Hour Zine Thing).
01 november 2008
perhaps november is the second or
other cruelest month—after the year’s
harvest from fields and orchards
the hunters take aim at ducks and deer
as soon as there’s a hint of morning
light and a distinction of wings
from the rest of the universe above
or beyond or surrounding and within
the standing up poet wears orange
at the typewriter he carries a journal
pens and a camera or two when out
in the woods and alongside rivers
lakes ponds and swamps to see and
feel and smell everything to not kill
anything except edible berries picked
and eaten right there like a bear would
real thanksgiving on the spot
for the food and for every sunny day
—especially warm ones—air crisp
as biting through an apple’s skin
anytime now night ice will stay
frozen all day and the rain will turn
colder until the showers are snow
covering gardens roads homes and trees
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